Content

Forthcoming: ROMARD 56/57 (2020)

Special Double Issue: New Research in Archives, Authorship, and Performance
 
Introduction
Robert L. A. Clark, Guest Editor
 
Waits, Other Musicians, and the Performance Tradition (including Drama) in Early Suffolk
James Stokes
 
Residual Allegory in Elizabethan Drama: The One-Scene Psychomachia and Arresting the Vice
Alan C. Dessen
 
Tom Tyler and His Wife: Allegory, Satire, Shrews and Sheep
Dana L. Key and Emma Whipday
 
Amplificatio in Performance: The Digby Conversion of St. Paul on Stage
Ann Hubert
 
Kyd, Shakespeare, and Arden of Faversham: a (belated) reply to MacDonald Jackson
Brian Vickers